Speak: A Book Review

Cover of "Speak"

Cover of Speak

I had several expectations when I picked up this book. First, that it would be painful to read due to its theme. Second, that it would convey an important message. Third, that those who have sought to ban it must be wrong about their evaluations of the novel as “soft pornography.” Finally, that I would enjoy reading the book-or at least come away feeling improved for reading it.

For those of you unfamiliar with Laurie Halse Anderson‘s book Speak, this is the description for it listed on Amazon:

“Speak up for yourself–we want to know what you have to say.” From the first moment of her freshman year at Merryweather High, Melinda knows this is a big fat lie, part of the nonsense of high school. She is friendless … because she busted an end-of-summer party by calling the cops, so now nobody will talk to her …. As time passes, she becomes increasingly isolated and practically stops talking altogether. Only her art class offers any solace, and it is through her work on an art project that she is finally able to face what really happened at that terrible party: she was raped by an upperclassman … who still attends Merryweather and is still a threat to her. Her healing process has just begun when she has another violent encounter with him. But this time Melinda fights back, refuses to be silent, and thereby achieves a measure of vindication.

Now back to my predictions. I was wrong on two counts and right on two counts.

It was not exactly painful to read; at least, not because of the subject matter. Also, I did not really come away feeling improved for the reading of it. To be honest, I felt that Speak handled the very heavy, ugly subject of rape rather lightly. Anderson focuses only on one aspect of the rape’s after-effects: alienation from friends and family. She skims over other, possibly larger issues which may arguably be more deeply-rooted in the rape and also prove more destructive to a person over time. Feelings of guilt or dirtiness or insecurity. Confusion about whether or not it was actually rape. An inability to trust anyone, or at least any males. A lack of desire to ever participate in sexual activity, voluntary or not, in the future. Etc., etc.

Instead we see that Melinda was in pain or some discomfort during the rape, that she is nervous around the predator, and that she feels isolated from the rest of the world. Which are also very real issues having to do with the attack, but I don’t believe they are necessarily the most important ones. Maybe some will argue with me. That’s fine. I can’t pretend to be an expert.

So because Anderson handles the rape so carefully – too carefully, in my opinion – I found it hard to enjoy the book or to feel improved for having read it. I understand it was YA fiction, but in my mind YA fiction has the potential to be just as beautifully crafted as anything else. Yet Anderson’s prose left something to be desired. I had very little sense of Melinda as a character. Having her speak so rarely was an interesting, meaningful choice, but the follow-through was rough. Dialogue naturally tends to lend a stronger sense of personality to a character. Melinda just felt vague. Besides that, the dialogue that was included seemed unrealistic. And Melinda’s interior monologues felt as if an adult was specifically attempting to sound like a teen. I was a teen very recently and I did not feel much of the narration resonate with my own experience.

HOWEVER.

I admire Anderson’s attempt to convey a significant message to young girls – and really anyone else who has ever felt like a victim of harassment. Speak! Tell the truth! Tell people what happened! And to the rest of us, the fortunate ones who have not been attacked so horribly – LISTEN! I don’t know why, but rape and sexual violence is one of those issues that I hold close to my heart. I feel very strongly about it and I admire anyone’s sincere efforts to raise awareness or send messages about its wrongness. But that’s a discussion for another blog post.

In no way could this be considered child or soft pornography by anyone who has read the book. It is the least graphic description of rape that I have ever encountered in literature. No explicit or sexual language. No real details about the mechanics. No glorifying of the action. I may not have loved the book itself, but I could never condone banning it for any reason. At least it’s an attempt to discuss this important social issue. If nothing else, it introduces the topic to young people in a tasteful way.

New Adult Fiction: Necessary or Not?

I first stumbled upon the term “New Adult fiction” a few months ago, but as a category in the publishing industry it actually started to emerge way back in 2009. It’s just taken a while to gain momentum and recognition. Now, in 2013, you can Google “New Adult” and find a number of recent blog posts and news articles mentioning the trend.

So of course I have to jump on the bandwagon. Please note, however, that for me this is more than just discussing a recent trend. It’s something I feel pretty strongly about as both a writer and an aspiring editor.

I was giddy when I read my first article about NA fiction. Now I feel less giddy and more disappointed. Let me take you through my thought process to show you why that is.

  1. Last year I met with a professor to get some feedback on a book I’d started writing. He suggested that I might have trouble marketing the book because of the age of the protagonist and other main characters. I had my heroine set in her early twenties. He pointed out that this falls beyond young adult readers yet just short of typical adult audiences. Hence my first conscious realization of a problematic gap in publishing.
  2. Earlier this year I read about New Adult fiction. At the time I did not research the category very thoroughly, but I was excited about the opportunities it opened up to me, because most of what I write tends to be geared to that very age range of 18-25ish.
  3. Recently I have done more research as a preliminary step toward a grant I’d like to apply for. I thought an interesting project might revolve around NA fiction. It’s a current, relevant issue, after all! And one very dear to my heart. So I started looking into it more, reading about others’ reactions to the category, searching for NA titles I might read for a possible project, etc. What I have found is an excess of contemporary romance for 18-25 year olds and a frightening LACK of NA titles in any other genre.
  4. While romance is not an inherently evil genre–I personally like to indulge sometimes in a sappy, cheesy chicklit–THERE ARE SO MANY OTHER GENRES AND THEMES THAT WOULD BENEFIT FROM THE NEW ADULT CATEGORIZATION.

Do you see what I’m getting at? Now, lots of people argue that there is no such thing as a new adult; you’re either a kid or you’re not, right? Wrong. Ask anyone over fifty years old and I’ll bet they will tell you that while they might still feel young at heart, they know much more and have a very different perspective than they did when they were in their early twenties.

We deal with different problems. We deal less with divorce and raising a family and midlife crises and other stuff like that. We deal MORE with making choices in college or other settings about careers, lifestyle, friendships, etc. We are expected to be adults but we don’t quite know HOW to do that yet. We make blundering mistakes and we discover things about ourselves and the world around us that may be scary or surprising.

Do you see the potential that I see? A whole range of themes is spread before us, ripe for the picking, yet right now it seems that authors and/or publishers only want to pick romance. Steamy, sexy romance, at that. Which is fine, I guess. Not necessarily all I want to read, but fine. I just want so badly to see more than another story about a college-aged girl who meets a guy with a bad reputation. I want to see a guy who graduates from college and realizes he actually hates his chosen career. I want to see a group of friends who leave high school and go their separate ways and discover that maybe sometimes you grow out of friendship. I want to see a girl who falls IN love and then back OUT of it. Etc., etc.

So I don’t know what else to say. Except that I hope people start to recognize the gaps WITHIN New Adult fiction and start to fill them. If not, I guess that will be my job. I will write these stories and work to get them out there in the world.